vivdunstan: Photo of some of my books (books)
I just read this for my book club, and really enjoyed it. Surprisingly I'd never read it before, though I know the 1940 Hitchcock film well, which won the Best Picture Oscar back in its day.

Rebecca is a gripping gothic thriller combined with psychological study. It has a rather leisurely pacing, which took me a while to adjust to. But then it felt more of a natural fit, and I was happy for it to have room to breathe. The story is that of a young woman, newly married and returning with her husband to his Cornish grand mansion home, only to uncover secrets from the past. I don't want to go into the plot too much, but I found it a real page turner. And even though I knew the core plot (there are very few differences between the 1938 novel and 1940 movie), it still kept me glued, through to the very end.

I have seen other movies based on Daphne du Maurier stories - Hitchcock's The Birds, and Nicolas Roeg's Don't Look Now. But I haven't read any more of her writings. And I need to fix that.

Rating 5/5 stars. Easily.
vivdunstan: Photo of some of my books (books)
I've just finished this contemporary fantasy book, a debut publication by a new novelist. Who lives near Edinburgh of all places! I liked a lot about it. It's a combination of a tale of magic books / contemporary fantasy / time travel / thriller and I'd say memoirs in a strange way. But I did have problems, and that's why I've rated it just 3/5 overall.

The plotting is intricate, right through to the very end, and admirable. But I found the mass of characters being introduced early on and the chopping and changing of points of view tricky to keep up with, and hard to stay engaged with. However when it reached about halfway through something happened that was so very clever as writing. I was rather wowed. And then from there it careers towards the finale. Again densely plotted.

Beware it gets very violent in places. Very violent. This is not what I would term a young adult read for that reason. It's closer in some respects to crime fiction in that respect. It also strangely reminded me of the TV scifi series Heroes, with the many protagonists in there. But it was a bit overwhelming to read in book form. Though on plus it's very cinematic, and I could easily imagine this book adapted to a movie version.

However for fans of contemporary fantasy who aren't deterred by violent bits in places I'd recommend this. Just maybe beware going in that it is going to be a bit choppy in narrative, especially earlier on, and you may need to give it more time to get hooked.

I would definitely read another book by the same author, but would prefer one with a fresh plot and concept. I am also looking forward to seeing the author chat about this book at the Cymera book festival in Edinburgh in the summer. I have an online weekend pass for that whole festival, and will be watching - mainly on catchup - with interest.

Has a gothic dark blue design with books and doors scattered across it
vivdunstan: A picture of a cinema projector (films)
We recorded this ages ago, and meant to watch it months ago, but are finally getting to it now! It’s a rewatch for me, after catching it late one night in the 1990s. Martin has never seen it. It’s the tale of two young men who commit a murder, then what happens after. Directed by Alfred Hitchcock.

It’s remarkably accomplished, with a limited cast, and a very compact almost theatrical setting. And James Stewart’s presence is always a win for me. However it’s overly talky early on, and for me one murderer sometimes gets quite annoying! The prolonged takes are technically impressive, but arguably less interesting than the acting and growing sense of tension. Overall though it’s a win for me. And who’d think lifting a lid could be so gasp worthy.

I also greatly appreciate its succinctness, compared with many modern movies.
vivdunstan: Art work for the IF Archive including traditional text adventure tropes like a map, lamp, compass, key, rope, books a skull, and a sigh referring to grues (interactive fiction)
In a brief awake spell managed to play another IFComp game (my 21st so far this year), a horror/thriller set in 1970s Venice. Enjoyed a lot about it, but the implementation wasn't thorough enough. Too many instances of fight the parser, including during tight timing sections. I wrote a detailed review of it on the intfiction forum, including helpful notes for the author. But hey, Venice in the 1970s, based around a film too. It felt like revisiting Don't Look Now ...
vivdunstan: Art work for the IF Archive including traditional text adventure tropes like a map, lamp, compass, key, rope, books a skull, and a sigh referring to grues (if)
I'm working steadily through this year's IFComp interactive fiction game entries, playing, judging and reviewing as many as I can. This morning I had fun with a sequel to Infocom's Hitchhiker's Guide to the Galaxy. Next I'm eyeing (1) a horror thriller set in 1970s Venice, (2) a game where I have to stop a berserker at a circus using a bunch of clown props, and (3) a game combining Hans Christian Andersen storytelling plus time travel.
vivdunstan: A picture of a cinema projector (films)
Trying to pick my movie viewing choice for this weekend, if I stay awake for long enough. And despite the calls of D&D and new Indy etc. I think this might win. As I always say about it, the best Hitchcock film that Hitchcock didn't make. And it has my all-time favourite piece of movie music in it, which I recently arranged to play on my accordion. It is also appealingly under 2 hours long!

vivdunstan: A picture of a cinema projector (films)
Tonight’s movie watching - and we managed all 80 minutes or so in one sitting - was the 1950 thriller So Long At The Fair starring Jean Simmons and Dirk Bogarde. I’d last seen this movie in the 1980s, catching it by chance one afternoon while flicking through television channels. It made a big impression on me, but I haven’t seen it again until tonight.

It’s set in Paris at the 1889 Exposition Universelle, the story of a disappearance, and the increasing mystery surrounding it. It’s a very well constructed thriller, directed by later frequent Hammer director Terence Fisher. The entire cast impresses. I found it as enjoyable the second time around. Martin enjoyed it too.

Rating 5/5. A really nicely done historical thriller with a superb central mystery and great cast and direction.

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vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
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